Opening: The House as Character From its first frames, the house is not background but protagonist. Designed with hypermodern minimalism and massive glass walls, the mansion reads as both shrine and cage. The camera treats rooms like skins you can peel away: living spaces shine with cold, reflective detail; the master bedroom hums with controlled heat; service areas pulse with hidden labor. The mise‑en‑scene announces the film’s central thesis: power and sexuality are negotiated through architecture.