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The story follows an ordinary young man, , and his family as they become victims of this illegal practice. Through a blend of stark realism and empathetic storytelling, Antardwand exposes the cultural, economic, and gendered dimensions of forced marriages, prompting both national debate and international recognition. 2. Historical and Cultural Context 2.1 The Phenomenon of Groom Kidnapping In many rural communities of the Indian heartland, marriage is not merely a union between two individuals; it is a socio‑economic contract that binds families, consolidates property, and upholds social status. While dowry has long been a burden placed on brides’ families, some communities have reacted by kidnapping grooms to avoid paying excessive dowry. The practice involves abducting a young man and compelling him to marry a woman from the kidnapper’s family, often under threat of violence. 2.2 Legal Landscape The Indian Penal Code criminalizes kidnapping (Section 363) and forced marriage (Section 494), yet enforcement remains weak due to social acceptance, local power structures, and lack of awareness. The practice persists in remote villages where police presence is limited and community elders wield considerable influence. 2.3 Cinematic Tradition Indian cinema has historically tackled social evils—think of Mother India (1957) or Aparajito (1956). However, few mainstream films have directly addressed groom kidnapping. Antardwand is significant as it brings an under‑reported issue to a broader audience, employing a naturalistic style reminiscent of Italian neorealism and the “new wave” of Indian independent cinema. 3. Plot Synopsis Mohan (played by Raj Singh Chaudhary) is a 23‑year‑old mechanic living with his parents and younger sister in a small Bihar village. He dreams of a better future, possibly moving to the city for work. One day, a group of men, led by a local strongman, forcefully abducts him and brings him to a neighboring village. There, he is thrust into a marriage ceremony with Sonal , a 19‑year‑old girl who herself is a victim of the same system.